The whole situation seems to cry out for superlatives;
yet Thackeray uses none, but remains dignified, calm, and therefore grand.
The following selection serves as a sort of preface to the novel
"Vanity Fair." It is quite as remarkable for the things it leaves
unsaid as for the things it says. Of course its object is to whet the
reader's appetite for the story that is to follow; but throughout the
author seems to be laughing at himself. In the last paragraph we see
one of the few superlatives to be found In Thackeray---he says the show
has been "most favorably noticed" by the "conductors of the Public
Press, and by the Nobility and Gentry." Those capital letters prove the
humorous intent of the superlative, which seems to be a burlesque on
other authors who praise themselves. One of the criticisms had been
that Amelia was no better than a doll; and Thackeray takes the critics
at their word and refers to the "Amelia Doll," merely hinting gently
that even a doll may find friends.
BEFORE THE CURTAIN.
(Preface to "Vanity Fair.")
By W. M. Thackeray.
As the Manager of the Performance sits before the curtain on the boards,
and looks into the Fair, a feeling of profound melancholy comes over him
in his survey of the bustling place.
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