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Fitzgerald, O. P.

"California Sketches, Second Series"

In that genus
the beastliness and devilishness of American city-life reach their
lowest denomination when the brutality of the savage and the lowest
forms of civilized vice are combined, human nature touches bottom.
The Emperor never spoke of his early life. The veil of mystery on this
point increased the popular curiosity concerning him, and invested him
with something of a romantic interest. There was one thing that excited
his disgust and indignation. The Bohemians of the San Francisco press
got into the practice of attaching his name to their satires and hits at
current follies, knowing that the well-known "Norton I." at the end
would insure a reading. This abuse of the liberty of the press he
denounced with dignified severity, threatening extreme measures unless
it were stopped. But nowhere on earth did the press exhibit more
audacity, or take a wider range, and it would have required a sterner
heart and a stronger hand than that of Norton I. to put a hook into its
jaws.
The end of all human grandeur, real or imaginary, comes at last. The
Emperor became thinner and more stooped as the years passed. The humor
of his hallucination retired more and more into the background, and its
pathetic side came out more strongly.


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