No place could be imagined more utterly alone than Glenveigh Castle. The
utter silence which Mr. Adair has created seems to wrap the place in an
invisible cloak of awfulness that can be felt. Except a speculative rook
or a solitary crane sailing solemnly toward the mountain top, I saw no
sign of life in all the glen. Owing to the windings of the road it
seemed quite a while after we sighted the top of the tower before we
entered the avenue which sweeps round the edge of the lake shore, and
finally brought us to the castle. The castle stands on a point
stretching out into the lake. Opposite, on the other side of the lake, a
steep, bare, dark rock rises up to the dizzy height. It is the kind of
rock that makes one think of fortified castles, and cities built for
defence, that ought to be perched on a summit, but Glenveigh Castle
should be a lady's bower, instead of a fortalice. Behind the castle the
mountain slopes are clothed with young trees. The castle itself is a
very imposing building from the outside; grand, strong, rather
repellant; inside it has a comfortless; ill-planned, unfinished
appearance. The mantel-piece of white marble with the Adair arms carved
on it--the bloody hand, the motto _valor au mort_, the supporters
two angels--lies in the hall cracked in two.
Pages:
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96