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Moore, George (George Augustus), 1852-1933

"Memoirs of My Dead Life"


Melons are better in June--that one comes, no doubt, from Algeria. It
is, however, the kind I like best, the rich, red melon that one eats
only in France; a thing of the moment, unrememberable; but the chicken
will never be forgotten; twenty years hence I shall be talking of a
chicken, that in becoming a fat chicken acquired twenty years of
immortality--which of us will acquire as many?
As we rise from table the doctor calls me into his studio: for he
would give me an excellent cigar before he bids me good-bye, and
having lighted it I follow my friend to the studio at the end of the
garden, to that airy drawing-room which he has furnished in pale
yellow and dark blue. On the walls are examples of the great modern
masters--Manet and Monet. That view of a plain by Monet--is it not
facile? It flows like a Japanese water-colour: the low horizon
evaporating in the low light, the spire of the town visible in the
haze. And look at the celebrated "Lecon de Danse" by Degas--that
dancer descending the spiral staircase, only her legs are visible, the
staircase cutting the picture in twain. On the right is the dancing
class and the dancing master; something has gone wrong, and he holds
out his hands in entreaty; a group of dancers are seated on chairs in
the foreground, and their mothers are covering their shoulders with
shawls--good mothers anxious for their daughters' welfare, for their
advancement in life.


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