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Flaubert, Gustave, 1821-1880

"Salammbo"

The Greek might be recognised by his slender
figure, the Egyptian by his elevated shoulders, the Cantabrian by his
broad calves. There were Carians proudly nodding their helmet plumes,
Cappadocian archers displaying large flowers painted on their bodies
with the juice of herbs, and a few Lydians in women's robes, dining in
slippers and earrings. Others were ostentatiously daubed with vermilion,
and resembled coral statues.
They stretched themselves on the cushions, they ate squatting round
large trays, or lying face downwards they drew out the pieces of meat
and sated themselves, leaning on their elbows in the peaceful posture
of lions tearing their prey. The last comers stood leaning against the
trees watching the low tables half hidden beneath the scarlet coverings,
and awaiting their turn.
Hamilcar's kitchens being insufficient, the Council had sent them
slaves, ware, and beds, and in the middle of the garden, as on a
battle-field when they burn the dead, large bright fires might be seen,
at which oxen were roasting. Anise-sprinkled loaves alternated with
great cheeses heavier than discuses, crateras filled with wine,
and cantharuses filled with water, together with baskets of gold
filigree-work containing flowers. Every eye was dilated with the joy of
being able at last to gorge at pleasure, and songs were beginning here
and there.


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