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Flaubert, Gustave, 1821-1880

"Salammbo"

Hamilcar counted
them one after another with the tip of his finger; then he hid his face
in a saffron-coloured veil, and, falling on his knees, stretched himself
on the ground with both arms extended.
The daylight outside was beginning to strike on the folding shutters
of black lattice-work. Arborescences, hillocks, eddies, and ill-defined
animals appeared in their diaphanous thickness; and the light came
terrifying and yet peaceful as it must be behind the sun in the dull
spaces of future creations. He strove to banish from his thoughts all
forms, and all symbols and appellations of the gods, that he might the
better apprehend the immutable spirit which outward appearances took
away. Something of the planetary vitalities penetrated him, and he felt
withal a wiser and more intimate scorn of death and of every accident.
When he rose he was filled with serene fearlessness and was proof
against pity or dread, and as his chest was choking he went to the top
of the tower which overlooked Carthage.
The town sank downwards in a long hollow curve, with its cupolas, its
temples, its golden roofs, its houses, its clusters of palm trees here
and there, and its glass balls with streaming rays, while the ramparts
formed, as it were, the gigantic border of this horn of plenty which
poured itself out before him.


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