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Flaubert, Gustave, 1821-1880

"Salammbo"

It was placed upon the last of the long steps
leading to a great altar, the corners of which terminated in horns of
brass. Two lateral staircases led to its flattened summit; the stones
of it could not be seen; it was like a mountain of heaped cinders, and
something indistinct was slowly smoking at the top of it. Then further
back, higher than the candelabrum, and much higher than the altar, rose
the Moloch, all of iron, and with gaping apertures in his human breast.
His outspread wings were stretched upon the wall, his tapering hands
reached down to the ground; three black stones bordered by yellow
circles represented three eyeballs on his brow, and his bull's head was
raised with a terrible effort as if in order to bellow.
Ebony stools were ranged round the apartment. Behind each of them was
a bronze shaft resting on three claws and supporting a torch. All these
lights were reflected in the mother-of-pearl lozenges which formed the
pavement of the hall. So lofty was the latter that the red colour of the
walls grew black as it rose towards the vaulted roof, and the three eyes
of the idol appeared far above like stars half lost in the night.
The Ancients sat down on the ebony stools after putting the trains of
their robes over their heads. They remained motionless with their hands
crossed inside their broad sleeves, and the mother-of-pearl pavement
seemed like a luminous river streaming from the altar to the door and
flowing beneath their naked feet.


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