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Flaubert, Gustave, 1821-1880

"Salammbo"


Then came all the inferior forms of the Divinity: Baal-Samin, god of
celestial space; Baal-Peor, god of the sacred mountains; Baal-Zeboub,
god of corruption, with those of the neighbouring countries and
congenerous races: the Iarbal of Libya, the Adramelech of Chaldaea,
the Kijun of the Syrians; Derceto, with her virgin's face, crept on
her fins, and the corpse of Tammouz was drawn along in the midst of a
catafalque among torches and heads of hair. In order to subdue the kings
of the firmament to the Sun, and prevent their particular influences
from disturbing his, diversely coloured metal stars were brandished
at the end of long poles; and all were there, from the dark Neblo, the
genius of Mercury, to the hideous Rahab, which is the constellation of
the Crocodile. The Abbadirs, stones which had fallen from the moon, were
whirling in slings of silver thread; little loaves, representing the
female form, were born on baskets by the priests of Ceres; others
brought their fetishes and amulets; forgotten idols reappeared, while
the mystic symbols had been taken from the very ships as though Carthage
wished to concentrate herself wholly upon a single thought of death and
desolation.
Before each tabernacle a man balanced a large vase of smoking incense on
his head.


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