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Flaubert, Gustave, 1821-1880

"Salammbo"


The Kedeschim, with painted eyelids, who symbolised the hermaphrodism of
the Divinity, received applause among these women, and, being perfumed
and dressed like them, they resembled them in spite of their flat
breasts and narrower hips. Moreover, on this day the female principle
dominated and confused all things; a mystic voluptuousness moved in the
heavy air; the torches were already lighted in the depths of the sacred
woods; there was to be a great celebration there during the night; three
vessels had brought courtesans from Sicily, and others had come from the
desert.
As the colleges arrived they ranged themselves in the courts of the
temples, on the outer galleries, and along double staircases which rose
against the walls, and drew together at the top. Files of white robes
appeared between the colonnades, and the architecture was peopled with
human statues, motionless as statues of stone.
Then came the masters of the exchequer, the governors of the provinces,
and all the rich. A great tumult prevailed below. Adjacent streets were
discharging the crowd, hierodules were driving it back with blows of
sticks; and then Salammbo appeared in a litter surmounted by a purple
canopy, and surrounded by the Ancients crowned with their golden tiaras.


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