He knew the lawn with its grove of elms that overtopped the
peaked roof, the hall, with its shining floor and detached staircase that
crooked itself in the centre where the tall clock stood, and, best of all,
the white panels of the parlour where hung the portrait of that same
fascinating great-aunt, painted, in amber brocade, as Venus with the apple
in her hand.
And his grandmother, herself, in her stiff black silk, with a square of
lace turned back from her thin throat and a fluted cap above her corkscrew
curls--her daguerreotype, taken in all her pride and her precision, was
tied up in the bundle swinging on his arm.
He passed Aunt Ailsey's cabin, and turned into the road with the chestnuts.
A mile farther he came suddenly upon the house, standing amid the grove of
elms, dwarfed by the giant trees that arched above it. A dog's bark sounded
snappily from a kennel, but he paid no heed. He went up the broad white
walk, climbed the steps to the square front porch, and lifted the great
brass knocker. When he let it fall, the sound echoed through the shuttered
house.
The Major, who was sitting in his library with a volume of Mr. Addison open
before him and a decanter of Burgundy at his right hand, heard the knock,
and started to his feet. "Something's gone wrong at Uplands," he said
aloud; "there's an illness--or the brandy is out." He closed the book,
pushed aside the bedroom candle which he had been about to light, and went
out into the hall.
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