"They tell me that other
women have painted since," she had once said, with a wistful curiosity.
"Your grandmamma, my dear Julia, had even seen one with an artificial
colour. She would not have mentioned it to me, of course,--an unmarried
lady,--but I was in the next room when she spoke of it to old Mrs.
Fitzhugh. She was a woman of the world, was your grandmamma, my dear, and
the most finished dancer of her day." The last was said with a timid pride,
though to Miss Lydia herself the dance was the devil's own device, and the
teaching of the catechism to small black slaves the chief end of existence.
But the blood of the "most finished dancer of her day" still circulated
beneath the old lady's gown and the religious life, and in her attenuated
romances she forever held the sinner above the saint, unless, indeed, the
sinner chanced to be of her own sex, when, probably, the book would never
have reached her hands. For the purely masculine improprieties, her charity
was as boundless as her innocence. She had even dipped into Shakespeare and
brought away the memory of Mercutio; she had read Scott, and enshrined in
her pious heart the bold Rob Roy. "Men are very wicked, I fear," she would
gently offer, "but they are very a--a--engaging, too."
To-day, when Betty came with the message, she lingered a moment to convince
herself that the bonnet was not in her thoughts, and then swept her
trailing bombazine into the house.
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