But finally, in the midst of all this
horror, Gregory, at the head of a penitential procession, saw
hovering over the mausoleum of Hadrian the figure of the
archangel Michael, who was just sheathing a flaming sword, while
three angels were heard chanting the Regina Coeli. The legend
continues that the Pope immediately broke forth into hallelujahs
for this sign that the plague was stayed, and, as it shortly
afterward became less severe, a chapel was built at the summit of
the mausoleum and dedicated to St. Michael; still later, above
the whole was erected the colossal statue of the archangel
sheathing his sword, which still stands to perpetuate the legend.
Thus the greatest of Rome's ancient funeral monuments was made to
bear testimony to this medieval belief; the mausoleum of Hadrian
became the castle of St. Angelo. A legend like this, claiming to
date from the greatest of the early popes, and vouched for by
such an imposing monument, had undoubtedly a marked effect upon
the dominant theology throughout Europe, which was constantly
developing a great body of thought regarding the agencies by
which the Divine wrath might be averted.
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