Hence
we derive many Chasms and Incoherences in the Sense and Matter.
Scenes were frequently transposed, and shuffled out of their true
Place, to humour the Caprice or suppos'd Convenience of some
particular Actor. Hence much Confusion and Impropriety has attended,
and embarras'd, the Business and Fable. For there ever have been,
and ever will be in Playhouses, a Set of assuming Directors, who
know better than the Poet himself the Connexion and Dependance of
his Scenes; where Matter is defective, or Superfluities to be
retrench'd; Persons, that have the Fountain of _Inspiration_ as
peremptorily in them, as Kings have That of _Honour_. To these
obvious Causes of Corruption it must be added, that our Author has
lain under the Disadvantage of having his Errors propagated and
multiplied by Time: because, for near a Century; his Works were
republish'd from the faulty Copies without the assistance of any
intelligent Editor: which has been the Case likewise of many a
_Classic_ Writer.
[Sidenote: The Editor's Drift and Method.]
[Sidenote*: Difference betwixt this Edition and Dr. _Bentley_'s
_Milton_.]
The Nature of any Distemper once found has generally been the
immediate Step to a Cure. _Shakespeare_'s Case has in a great
Measure resembled That of a corrupt _Classic_; and, consequently,
the Method of Cure was likewise to bear a Resemblance. By what
Means, and with what Success, this Cure has been effected on ancient
Writers, is too well known, and needs no formal Illustration.
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