" +he gar ton logon krisis polles esti peiras
teleutaion epigennema.+ Whenever Words are depraved, the Sense of
course must be corrupted; and thence the Readers betray'd into a
false Meaning. Tho' I should be convicted of Pedantry by some,
I'll venture to subjoin a few flagrant Instances, in which I have
observed most Learned Men have suffer'd themselves to be deceived,
and consequently led their Readers into Error: and This for want
of the Help of _Literal Criticism_: in some, thro' Indolence and
Inadvertence: in others, perhaps, thro' an absolute Contempt of It.
If the _Subject_ may seem to invite this Digression, I hope, the
_Use_ and _Application_ will serve to excuse it.
[Sidenote: _Platonius_ corrected.]
I. In that golden Fragment, which we have left of _Platonius_, upon
the three Kinds of _Greek_ Comedy, after he has told us, that when
the State of _Athens_ was alter'd from a Democracy to an Oligarchy,
and that the Poets grew cautious whom they libell'd in their
Comedies; when the People had no longer any Desire to choose the
accustom'd Officers for furnishing _Choric_ Singers, and defraying
the Expence of them, _Aristophanes_ brought on a Play in which
there was no _Chorus_. For, subjoins He, +ton gar CHOREUTON me
cheirotonoumenon, kai ton CHOREGON ouk echonton tas trophas,
hypexerethe tes Komodias ta chorika mele, kai ton hypotheseon ho
tropos meteblethe+. _"The _Chorus-Singers_ being no longer chosen
by Suffrage, and the _Furnishers_ of the_ Chorus _no longer having
their Maintenance, the _Choric_ Songs were taken out of Comedies,
and the Nature of the Argument and Fable chang'd.
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