It was not till long afterward that the color capacities
of the piano were developed. As Foster was no pianist, but rather a pure
melodist, he could not be expected to surpass his times in the management
of the piano, the only 'orchestra' he had. It will not do to regard Foster
as a crude musician. His own scores reveal him as the most artful of
'artless' composers.
"It is not even presumption to speak of him in the same breath with Verdi.
The breadth and poignancy of Foster's melodies entitle them to the highest
critical respect, as they have received worldwide appreciation from great
musicians and plain music lovers. Wherever he has gone he has reached the
popular heart. Here in the United States he has quickened the pulse beats
of four generations. But this master creator of a country's only native
songs has invariably here at home been apologized for as a sort of
'cornfield musician,' a mere banjo strummer, a hanger-on at barrooms where
minstrel quartets rendered his songs and sent the hat round. The reflection
will react upon his country; it will not detract from the real Foster when
the constructive critic appears to write his brief and unfortunate life. I
am not contending that he was a genius of the highest rank, although he had
the distinction that great genius nearly always achieves, of creating a
school that produced many imitators and established a place apart for
itself in the world's estimation. In ballad writing he did for the United
States what Watteau did for painting in France.
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